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Greatly influenced by Surrealism, Kansuke Yamamoto made innovative photographs, collages, and poems and was a key figure in the Japanese avant-garde.
His work is featured in Japan’s Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto.Stapled Flesh, 1949, Kansuke Yamamoto. From the Collection of Gloria Katz and Willard Huyck. © Toshio Yamamoto
This week’s Modern Art Notes Podcast features Los Angeles County Museum of Art curator Britt Salvesen and artist Catherine Opie on the occasion of LACMA’s presentation of three Robert Mapplethorpe portfolios: The ‘X Portfolio,’ which features sadomasochistic imagery; the ‘Y Portfolio’ of floral still-lifes and the ‘Z Portfolio’ of nude portraits African-American men.
These two Mapplethorpes, both titled Pictures/Self Portrait (1977), aren’t in the X, Y or Z Portfolio and thus aren’t in LACMA’s show. They were included in a 2004 exhibition Opie selected from the holdings of the Mapplethorpe Foundation. On this week’s MAN Podcast, Opie and I discussed these two pictures — and both Opie and I and Salvesen discussed whether Mapplethorpe’s experience with Catholicism helped motivate them.
Listen to the program: Download this week’s MAN Podcast or listen in your browser. Subscribe to the program via iTunes, SoundCloud or RSS. See more images of artworks discussed on the show.
“Clever bird, clever man, clever clever fool,” said Patchface, jangling. “Oh, clever clever clever fool.” He began to sing. “The shadows come to dance, my lord, dance my lord, dance my lord,” he sang, hopping from one foot to the other and back again. “The shadows come to stay, my lord, stay my lord, stay my lord.
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awww
mmh does it?
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